Thursday, April 23, 2009
Watchmen, the movie, poster

Watchmen

Semiotic Superheroes

On the verge of a new kind of visual storytelling.

By Alexander Wilgus ::: (1) Comments
Tuesday, September 30, 2008
DVD Cover: The Maltese Falcon

The Maltese Falcon

Stegasaurus!

Some heavy spade-work into the magick of the classic noir.

By Da WWWiz ::: (3) Comments
Sunday, August 24, 2008
The Dark Knight

The Dark Knight

The Three Versions of Batman

Have the Nolan Brothers been reading Borges?

By Martin Schneider ::: (3) Comments
Sunday, August 10, 2008
You Do Not Talk About Fight Club (book cover)

A Copy of a Copy of a Copy

The Matrix, American Beauty, and Fight Club as Retellings of Pink Floyd’s The Wall

A Sneak Preview from You Do Not Talk About Fight Club: I Am Jack’s Completely Unauthorized Essay Collection

By ::: (3) Comments
Sunday, May 04, 2008

The Dreamers

Revolution as a Gala Dinner and a Game

A close, detailed viewing and extended discussion of the context, plot, and themes of Bertolucci’s controversial masterwork.

By Steven Q. Fletcher ::: (0) Comments
Sunday, November 11, 2007
Inland Empire

Reading Inland Empire

A Mental Toolbox for Interpreting a Lynch Film

Twelve tools that can be helpful for appreciating any David Lynch film are offered with specific reference to Inland Empire.

By Adam C. Walter :::
Monday, November 05, 2007
The Straight Story

The Straight Story

Pilgrim’s Progress

We can find hopeful advice about the American Dream in what an elderly man doesn’t say.

By Christopher Garbowski ::: (0) Comments

Other Recent Long Stuff

The Straight Story
Ran
Mean Streets
Frodo through the Fence
Snakes on a Plane
Casino Royale
Perfume: The Story of a Murderer
Reservoir Dogs
Unforgiven
X-Men vs. Superman

Phlogged Book

You Do Not Talk About Fight Club (book cover image)

You Do Not Talk About Fight Club: I Am Jack’s Completely Unauthorized Essay Collection. A new collection edited by Metaphilm publisher Read Mercer Schuchardt with a foreword by Chuck Palahniuk. Paperback, 224 pages, from Benbella Books. Click here for a sneak preview . . .

Metaphlog

Friday, June 26, 2009

Michael Bay’s Artistic Genius Strikes Again

Former advertising man Michael Bay returns with this summer’s big hit, and possibly the most artistic movie ever filmed.  Eight years ago, Metaphilm launched with a piece on Michael Bay’s artistic style in Pearl Harbor, little realizing it was an advertisement for a yet-to-be-released political thriller.

phlog ::: from publisher ::: (0) Comments ::: Link
Tuesday, June 02, 2009

Classic Film Lines Translated to Japanese and Back

Someone with way too much time on their hands… like someone else we know.

phlog ::: from publisher ::: (0) Comments ::: Link
Monday, June 01, 2009

Fight Club Fans Running Non-Fight-Club-Related Blogs

From the “You can take the boy out of Fight Club, but you can’t take the Fight Club out of the boy” department.

phlog ::: from publisher ::: (0) Comments ::: Link
Sunday, May 31, 2009

Why Watch “House”?  And how is The Arabian Nights like Buffy The Vampire Slayer, Season 3?

Ira Glass discloses the mysteries of good storytelling.

phlog ::: from publisher ::: (0) Comments ::: Link
Thursday, April 23, 2009

There Will Definitely Maybe Be Blood

Seriously.

phlog ::: from publisher ::: (0) Comments ::: Link
Friday, April 17, 2009

Snakes On A Plane, Actually

Uh-oh.

phlog ::: from publisher ::: (0) Comments ::: Link
Friday, April 03, 2009

Mark Plotinsky Reconfirms

what Metaphilm writers have said for years.

phlog ::: from publisher ::: (0) Comments ::: Link
Tuesday, March 31, 2009

The Big Wazowski

Monster’s Inc. meets The Dude

phlog ::: from publisher ::: (0) Comments ::: Link
Wednesday, March 18, 2009

What the Wizard of Oz Can Teach Us About The Economic Crisis

We’ve alluded to and written about this before, but here is the BBC News magazine’s Rumeana Jahangir on the original economic interpretation of L. Frank Baum’s 1900 vision, brought to the masses through the 1939 Judy Garland film, and brought to the world’s understanding in 1964 by high school teacher Henry Littlefield:  “The Tin Woodman represents the industrial worker, the Scarecrow is the farmer and the Cowardly Lion is William Jennings Bryan.” - proof that high school teachers still have something to teach us.  If you want the full blown postmodern critique, check out The Hang’d Man’s (aka the WWWiz) interpretation from our most wizardly Oz interpretation

phlog ::: from publisher ::: (0) Comments ::: Link
Friday, February 20, 2009

Is Rinko Kikuchi the Japanese Louise Brooks?

Overedited but interesting: “screen tests” with Rosario Dawson, Rinko Kikuchi, Katie Holmes and others.  My favorite piece of Kikuchi’s wisdom:  “Happiness is when the book I am reading is really good.” That’s a movie actor saying that.

phlog ::: from publisher ::: (0) Comments ::: Link

Other Recent Phlogs

We told you this already about Fight Club and The Matrix
The Curious Case of Forrest Gump
Eagle Eye On The Gaza Strip
Robert McKee Explains Synecdoche, NY
My History of Violence
A Movie On Your Phone?  Get Real.
Indiana Jones and the Deadly Blather
Kaufman Strikes Again
Politics as Cinema, 2008
Quantifying The Analysis of Dukes of Hazard
Another Disney Sex Movie?
By the Ladies For the Ladies
‘X-Files’ Movie Tanks at Box Office
If Joe Eszterhas Can Do It…
The Rabbit Hole Gets Deeper
The “Real” Cinematic Geneaology of the Bat-Man
How to Analyze Classic Literature
Life was supposed to be a film
The Dark Knight
Wall-E